Creative Nonfiction

• “Bluegills, Blue,” Cream City Review issue 46.1, Summer 2022.


• “On Doubt,” New Reader Magazine, September 18, 2020.


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Fiction

• “Once the Downs Empty,” TSR: The Southampton Review. Winter/Spring 2019 issue.


• “The Artist,” Existere Journal, York University. Fall/Winter 2018 issue.


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Critical Texts

• “A Braided History of Socialism, Literacy, and Education,” the minnesota review blog, October 23, 2018.


• Essayist for gallery literature, Charlotte Street 2016 Artists Award Exhibition at Kemper Crossroads Gallery, September 2, 2016.

• “The Empress’s New Clothes,” Informality Blog, September 14, 2015.

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Interviews

• “Men have imagination, but women just have experiences,”: An Interview with Rachel Haley Himmelheber, Ploughshares blog, February 26, 2019.

• “Unfortunately, the Book Continues to be Relevant: An interview with Erika Meitner,” Ploughshares blog, January 9, 2019.


• “Wide Range Through a Single Lens: An interview with Michael Dumanis of Bennington Review,” the minnesota review blog, November 29, 2018.


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Reviews

• Review of Rachel Collier's Still Together at Saint Kate Arts Hotel, Sixty Inches from Center, January 23, 2023.

•“Sonic Pleasures of The Deer,” Chicago Review of Books, August 2022.


• “(Re)Materializing Dread: An interview with Mayumi Lake and Stacia Yepanis,” Sixty Inches from Center, May 2022.


• Review of Rachel Harrison's Assorted Varieties at Corbett vs Dempsey, Chicago Artist Writers, January 7, 2022.


• “Inside a West Plaza bungalow, Open House is carving out a new, subversive space for art and community-building” The Pitch, 2018


• “Alter’s FOMO-factor parties are bad mothers,” The Pitch, 2018


• “Facing the Future: The Kemper’s thrilling show of Outwin portraits holds up a timely mirror,” The Pitch, December 1, 2017.


• “Art and the Crossroads of Kansas City,” Sculpture, September, 2017.


• “Kendell Harbin’s VHS safari hunts a very delicate species: memory,” The Pitch, November 20, 2017.


• “Ryan Wilkes pushes sex out of the shadows in his challenging, memorable Queerotica,” The Pitch, July 14, 2017.


• “KC’s LGBTQ community clears its throat—and learns to break a chokehold,” The Pitch, May 18, 2017.


• “At the Spencer, surprises from new Asian artists,” The Pitch, March 7, 2017.


• “State of the World at H&R Block Artspace, raises a hopeful flag,” The Pitch, February 14, 2017.


• “Roger Shimomura and Yuval Yairi map complex legacies in separate solo shows,” The Pitch, January 3, 2017.


• “Trey Hock, the bathroom selfie, and me,” The Pitch, December 20, 2016.

• “Charlotte Street’s bold, searching ¿Que Pasa USA? deserves to be answered,” The Pitch, December 20, 2016.


• “Erin Zona’s She Was Right is totally correct,” The Pitch, October 18, 2016.


• “Nick Cave’s Property at the Nelson is a must-see,” The Pitch, September 28, 2016.• “Dark Days, Bright Nights: Contemporary Paintings from Finland reveals warmth under the ice,” The Pitch, February 9, 2016.


• “Wendy Red Star poses haunting questions in Parading Culture at Haw,” The Pitch, February 9, 2016.


• “Front/Space’s Hot Hands fundraiser is a big deal for art spotters and collectors,” The Pitch, January 26, 2016.


•“Samara Umbral Goes Deep at Haw Contemporary,” The Pitch, September 16, 2015